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Showing posts with label Connecticut. Show all posts
Showing posts with label Connecticut. Show all posts

Wednesday, September 4, 2024

New London, Connecticut, submarine school - featured in Children's Wartime Adventure Novels


New England locations are featured in several middle grade and young adult novels published during World War II.  My latest book, Children's Wartime Adventure Novels - The Silent Generation's Vicarious Experience of World War II explores these stories and how they inspired and indoctrinated a young generation too young to fight, but not too young to be affected by a global war. 

Last week, I posted on locations in western Massachusetts -- Smith College and Mount Holyoke College -- that were settings for two books for girls on officers' training in the WAVES and Women Marines.

Today we explore two young adult novels that show us New London, Connecticut, locations, including the Naval Submarine Base, where young men train during World War II.


Rig For Depth Charges!
by Captain Edward E. Hazlett begins with the Japanese attack on Pearl Harbor, with a vivid account in a book that is more realistic than other books for boys in this era.   Like the novels Lady Leatherneck by First Lieutenant Barbara A. White, MCWR and By Your Leave, Sir by Lieutenant Helen Hull Jacobs, USNR discussed here previouslyRig For Depth Charges!, a story about submarine warfare, is also penned by someone with experience in the field.  Captain Hazlett’s novel is an engrossing story, not just the documentation of the training and adventure of a young submariner, but a well-told tale about the early days of the United States’ involvement in the war and young man’s realistic experiences at home and abroad.

Capt. Hazlett served in the Navy in World War I and entered the submarine service in the 1920s.  More than sixteen years of his thirty years of active duty were spent in the Silent Service.  

Some of his most important writing, however, might be considered to be his longtime correspondence with his boyhood pal, Dwight D. Eisenhower.  He and Eisenhower grew up in Abilene, Kansas, attended high school together, and both studied to enter military academies as a way to obtain a college degree when their parents were too poor to send them to civilian colleges.  Turns of fate brought Hazlett to the Naval Academy and Eisenhower to West Point. 

Hazlett is mentioned in Ike’s memoirs, and their correspondence over the years was an outlet for President Eisenhower to reveal his thoughts on many national and international issues.  Capt. Hazlett died in 1958 and President Eisenhower attended his funeral and internment at Arlington National Cemetery.  Hazlett’s widow later donated Capt. Hazlett’s papers, including the correspondence with Ike, to the Dwight D. Eisenhower presidential library in Abilene, Kansas.  They are referenced in Ike’s Letters to a Friend 1941-1958.



Hazlett's story for boys follows young Robert "Saint" Rodney, a new naval officer who, after experiencing the horror of the Pearl Harbor attack, decides to enter the submarine service, and heads for New London, Connecticut.  He and his classmates will spend long hours at their books, with periods of practical work in the operation of subs in Long Island Sound.  In their free time, they look forward to dates with coeds at nearby (real-life) Connecticut College for Women (now co-educational Connecticut College), competing with Coast Guard cadets at the Coast Guard Academy.  Joan Underwood, a journalism student, catches his eye and will become his newest girlfriend. The colonial coastal town of New London is described, including the Hotel Mohican, one of the finest hotels in Connecticut at the time, where they enjoy meals in the restaurant, and the “sleepy little village” of Groton, and sometimes hike to Norwich.  


The Hotel Mohican, built in on State Street in New London in 1896, was originally a publishing house for a magazine, but was converted to a hotel two years later.  It was one of the grandest hotels in the state.  In the 1990s, the building was converted again into apartments.

Their first tour of a sub is described and the young readers get a wealth of detail in its appearance and manner of operation.  “The party moved on into the incessant din of the engine room.  The ship had taken on a gentle heave, indicating that she had now passed out of the river and into the glassy swells sweeping in from the Atlantic.  An odor of combined exhaust fumes, bilge water and fuel oil assailed the nostrils.” They learn of water-tight hatches and valves, and the real-life Squalus disaster in 1939 is recalled when twenty-six of its crew drowned instantly when induction values failed.  (The rest of the crew, thirty-three, were rescued from the trapped sub in a mission headed by Lt. Commander Charles Momsen, for whom the Momsen lung was named).

They are introduced to the escape tank on base, a large silo that will be flooded with water, and in which they will learn to use the Momsen lung and avoid getting the “bends” under full pressure.  We will also see March Anson in March Anson and Scoot Bailey of the U.S. Navy have his turn struggling with the lessons in the tank, where some young officer students panic and some show their mettle. 

March Anson and Scoot Bailey of the U. S. Navy by Gregory Duncan, is the story of two friends who join different branches of the Navy: Scoot becomes a Navy flier, and March heads for training at the sub school.


We follow March Anson on his train ride to New London, Connecticut.  March meets other sailors, a petty officer, a radioman, and a pharmacist, all going to the sub base.  They discuss their enthusiasm for joining the subs, what they feel is the toughest branch of service.

They are awed by the escape tower on which they will be tested, the huge water tank we first experienced in Rig for Depth Charges!  There is the mundane description of March’s settling in – officer quarters for unmarried officers – those with wives along could live in town – and the mess. Standards are high for submarine service as there are not as many openings.  “What they looked for in the ‘Diving Navy’ was the kind of man who was brave, cool under fire, far above average intelligence, with the ability to get along well with other people under all circumstances, and the kind of nerves that didn’t crack or even show strain under the greatest danger, the worst crowding, or seeming fatal situations.”

These books for boys written during World War II were a window on a world of adventure and opportunity for the young readers; and for us, a window on a world on fire as it looked to American children whose fathers and older brothers were gone to war.

Next week, I'll post on War Wings for Carol, a book that is set on an airfield in northern Maine that is shared by a small commercial airline and the military. One young woman's  home front job supports the U.S. war effort in more ways than one, and descriptions of small-town Maine are delightful.


Children's Wartime Adventure Novels is available in eBook directly from my online store here.

It is also available in eBook from Barnes & Noble, Apple, and a wide variety of online shops here.

It is also available in eBook, paperback, and hardcover from Amazon here.

******************

Jacqueline T. Lynch is the author of The Ames Manufacturing Company of Chicopee, Massachusetts - A Northern Factory Town's Perspective on the Civil War;   

Comedy and Tragedy on the Mountain: 70 Years of Summer Theatre on Mt. Tom, HolyokeMassachusetts;

 States of Mind: New England

A Tragic Toast to Christmas -- The Infamous Wood Alcohol Deaths of 1919 in Chicopee, Mass.; as well as books on classic films and several novels.  Her Double V Mysteries series is set in New England in the early 1950s.  

TO JOIN HER READERS' GROUP - follow this link for a free book as a thank-you for joining.


Thursday, September 1, 2022

Where it happens...THE IRON LUNG MYSTERY


This is a map of the Boston area circa 1950.  No Mass Turnpike, no "Big Dig" (a decades-long construction project for those of you not familiar) and just a few markings I've put on to give readers a frame of reference when it comes to the meanderings of Juliet and Elmer in this, their latest adventure.

The green circles mark places visited and described in the story, from the towns of Milton and Melrose, to the Boston Common, to the sites of the drive-in movie and drive-in burger joint.  The red arrows point to locations in the novel that are off the map:  Vaughn Monroe's nightclub The Meadows, and the one pointing out to sea refers to a ferry voyage.

One need not be familiar with Boston or 1951 New England to enjoy the story, but sometimes a little visual aid helps.




The Iron Lung Mystery
 is now for sale in eBook form.  See this link to get your copy.  The novel will debut at 99 cents for two days only; then will increase to $1.99 on Saturday, September 6th for two days; and then on Monday, September 8th, it will be raised to its regular price of $2.99, so get in early to save some dough.  The eBook will be sold exclusively through Amazon for the first three months, then it will be available through several other online shops.

The print book version will follow later in September and will sell at its regular price of $9.99.

I'm looking forward to sharing this nostalgic mystery story with you.

 
 

Thursday, December 16, 2021

Mystery series set in post-War New England - the Double V Mysteries

 


Looking for Christmas gifts for the historical mystery lover -- who also happens to love New England?  

My "Double V Mysteries" series is set in New England, beginning in the spring of 1949.  The two main characters -- who will become partners -- are introduced in CADMIUM YELLOW, BLOOD RED.  She is an administrator at the Wadsworth Atheneum in Hartford, Connecticut, who has just discovered her husband's infidelity.

He is an ex-con, recently released from the state penitentiary in Wethersfield, Connecticut.  His wife has passed away and his daughter is kidnapped, but the gang who has her assures him she will be returned if he helps them with his particular specialty. He must break into the Wadsworth.  She meets him on his practice run as he literally drops into her office, the same night her husband is found murdered.

They are both suspects.  They have nobody to rely on but each other.  And each has a mystery to solve.

The book is available in paperback through Amazon, but the eBook version is FREE and available through a variety of online shops:

Amazon

Barnes & Noble

Apple

And a variety of other online shops here.


Give it a try and perhaps you'll like to continue the adventures with Juliet Van Allen and Elmer Vartanian -- the "Double V" duo -- in the rest of the (so far) five-book series:


SPEAK OUT BEFORE YOU DIE
(in which a murder occurs in a snowbound mansion in Hartford on New Year's Eve, 1949)

Here at Amazon, Barnes & Noble, and other online shops.



DISMOUNT AND MURDER
(Nasty doings at the Litchfield, Connecticut, horse show, summer of 1950.  Maine recovers from the year before in the "Summer Maine Burned," Oh, and a murder.)

Here at Amazon, Barnes & Noble, and other online shops.



WHITEWASH IN THE BERKSHIRES
(Juliet is blacklisted during the Communist witch hunts. Intrigue and kidnapping in an underground bunker in the Berkshire Mountains of western Massachusetts in the winter of 1951.  Oh, and a murder.)

Here at Amazon, Barnes & Noble, and other online shops.




MURDER AT THE SUMMER THEATER
(Juliet must join the cast to help ferret out clues in backstage shenanigans in the summer of 1951 on the Connecticut shore when the lead actress goes missing. Possibly murdered.)

Here at Amazon, Barnes & Noble, and other online shops.



Follow the adventure, follow the clues, and watch this blog for the next novel in the series coming in late 2022!


Wednesday, November 28, 2018

Murder at the Summer Theater - coming in December



Coming in December -- the latest in my Double V Mysteries series - MURDER AT THE SUMMER THEATER.

Casey Koester did the marvelous cover, as she has for the rest of the series, and I'm grateful to her for always coming up with stylish, clever, and evocative images.

More to come on launch date details.  Hope on here to my website to join my email list for updates.  For now, here's a little preview:

Rehearsals grow tense at a summer theater on the Connecticut shore.  The lead actress goes missing – or was she murdered?

Juliet Van Allen and Elmer Vartanian, the “Double V” duo, are called in on the case, but even with Juliet pretending to be an actress and newcomer to the cast, the players are guarding their secrets closely.  There are spurned lovers, jealous wives, scene-stealers and heartbreakers, with enough spirit of vengeance to fill up the loge.  Will the show go on?  Even when a body is found?

Murder at the Summer Theater is the fifth book in the Double V Mysteries series set in New England in the late 1940s and early 1950s.

If you like the charm of a classic film, this “cozy noir” will return you to an era of soft ocean breezes and a glamorous game of suspicion played between acts.  The painted backdrop is the heyday of summer theatre, when greats from the New York stage and Hollywood performed in barns and tents on New England’s famed “straw hat circuit.” Passionate accusations light up the balcony, grim consequences lurk in the dressing room.  Join the nervous producers on the veranda for a champagne cocktail.

It’s a seaside caper where murder is in the spotlight in the summer of 1951, and Juliet and Elmer are on the verge of a new professional – and personal – partnership. 

Tuesday, September 5, 2017

Goodspeed Opera House - RAGS - East Haddam, Connecticut

A press release from The Goodspeed:
CAST ANNOUNCED FOR GOODSPEED’S NEW VERSION OF RAGS
A bold refocusing of the musical by Broadway legends Strouse, Schwartz, and Stein
 with a revised book by David Thompson is set for The Goodspeed this fall

EAST HADDAM, CONN August 31, 2017: Join Rebecca and David Hershkowitz as they journey to a “brand new world” in Goodspeed’s reinvented Rags. Original creators Charles Strouse and Stephen Schwartz have teamed up with David Thompson, who has adapted Joseph Stein’s book, to rework this timely and inspiring piece. Goodspeed explores the grit and determination of American immigrants through this joyous reimagining of a musical by  some of Broadways biggest legends. Rags will run October 6 – December 10 at The Goodspeed in East Haddam, Conn [Official Press Opening will be October 25, 2017].
Welcome to the new world! Fresh from Ellis Island, a young mother and her son search for a new life and a sense of home as the 20th century beckons. The streets of Manhattan’s Lower East Side may not be paved with gold, but they echo with the music of opportunity, optimism and hope. A ravishing score by the songwriters of Annie and Wicked colors a sweeping saga of America’s immigrant past. Celebrate our rich roots in Goodspeed’s new adaptation of a neglected masterpiece of the musical theatre.  Rags is made possible in part by support from the National Endowment for the Arts, the Lucille Lortel Foundation, Eversource Energy, and Amica Insurance.
Directed by Rob Ruggiero, Rags features music by Charles Strouse, original book by Joseph Stein, lyrics by Stephen Schwartz, revised book by David Thompson and vocal arrangements are by David Loud.
Samantha Massell will play Rebecca Hershkowitz. Ms. Massell recently performed the role of Hodel in the 2015 Tony nominated Broadway revival of Fiddler on the Roof. She performed in the Broadway production of La Bohème and the New York City Center ENCORES! productions of Little Me and It’s a Bird, It’s a Plane …It’s Superman. Regionally she performed as Florika (Esmerelda U/S) in the La Jolla and Paper Mill Play House productions of The Hunchback of Notre Dame, and in The MUNY productions of Aladdin, Into the Woods and Bye Bye Birdie. David Hershkowitz will be played by Connecticut native Christian Michael Camporin, who was in the original Broadway productions of Finding Neverland, covering both the roles of Michael Llewelyn Davies  and Jack Llewelyn Davies, and Matilda The Musical in the role of Eric.
Sal Russo will be played by Sean MacLaughlin who made his Broadway debut as Raoul in The Phantom of the Opera. Sara Kapner will be playing Bella Cohen. On stage, Ms. Kapner was most recently seen performing in the MUNY’s 2015 production of Into the Woods, but can also be seen in Twisted Sisters and The Murder Pact, which are both currently running on Lifetime TV. Returning to the Goodspeed stage after playing Tevye in 2014’s Fiddler on the Roof as well as performing in Goodspeed’s A Funny Thing Happened on the Way to the Forum (Pseudolus) and A Tree Grows in Brooklyn (Harry) is Adam Heller who will be playing Avram Cohen. Mr. Heller’s most recent Broadway credits include Uncle Morty in the Original Broadway Production of It Shoulda Been You, Elf The Musical, and Baby It’s You!.
Mitch Greenberg returns to Goodspeed as Jack Blumberg having previously performed in Cutman the musical and You Never Know. On Broadway, Mr. Greenberg was in the 2015 Revival of Fiddler on the Roof and the Broadway hit It Shoulda Been You. The role of Anna Blumberg will be played by Emily Zacharias who made her Broadway debut in Chu Chem as Lotte. Ms. Zacharias was also in the original Broadway production of Jekyll & Hyde as Guinevere. Also returning to Goodspeed in the role of Rachel Brodsky will be Lori Wilner who previously performed the as Golde in Goodspeed’s 2014 production of Fiddler on the Roof. Additionally, Ms. Wilner played Grandma Tzeitel in the 2015 Broadway revival of Fiddler on the Roof.
Returning to The Goodspeed stage having wowed audiences as Billy Crocker in the 2016 hit Anything Goes,  David Harris will perform the role of Max Bronfman. Earlier this year, Mr. Harris was seen in the role of Father in Barrington Stage’s production of Ragtime and as Dan Goodman in TheaterWorks’ acclaimed production of Next to Normal. Nathan Salstone will be playing Ben Levitowitz. A recent graduate of Carnegie Mellon University, Mr. Salstone’s one-man play All Anonymous featuring original music and lyrics premiered at The Carnegie Mellon School of Drama’s ‘Playground’ in December 2016.
The members of the Quintet include JD Daw who recently performed the roles of Doctor Madden in TheaterWorks’ production of Next to Normal, Jacey in The Muny’s production of The Music Man and Sir Dennis Galahad in North Shore Music Theatre’s Spamalot. Joining him will be Ellie Fishman whose credits include A Christmas Story at Paper Mill Playhouse and both Beauty and the Beast and My Fair Lady at The MUNY. Danny Lindgren returns to Goodspeed as a member of the Quintet having previously appeared on The Goodspeed stage as Clark Gable in Chasing Rainbows, as Smokey in Damn Yankees and as Jake in The Most Happy Fella. Some of Mr. Lindgren’s favorite credits include Benny in Guy and Dolls and Will Parker in Oklahoma! both at Finger Lakes Music Theatre Festival and Nephew Fred in A Christmas Carol at The McCarter Theatre. Sarah Solie whose many Broadway credits include the original Broadway productions of Mary Poppins, High Society, Beauty and the Beast and Cats and Jeff Williams who made his Broadway debut in the 2000 revival of The Music Man and was most recently performed in the Off-Broadway production of Death for Five Voices round out the Quintet.  The swings will be Catalina Gaglioti, (Goodspeed’s Festival of New Musicals We Foxes ,Off-Broadway’s Temple of the Souls ) and Giovanni DiGabriele (Second National Tour of Cinderella)Gordon Beck will understudy the role of David Hershkowitz.
Rags will be directed Rob Ruggiero who has directed numerous Goodspeed productions  including Carousel, Camelot, Show Boat, 1776 and Fiddler on the Roof. He has received numerous awards and nominations for his regional work including multiple Connecticut Critics Circle Awards. Mr. Ruggiero conceived and directed the original musical revue Make Me a Song: The Music of William Finn which garnered him nominations for both Drama Desk and Outer Critics Circle Awards. Mr. Ruggiero currently serves  as the Producing Artistic Director at TheaterWorks in Hartford, where he conceived and directed the highly successful Ella, a production that received Kevin Kline and Joseph Jefferson Awards and has since been produced at major regional theaters around the country.
Choreography will be by Parker Esse who returns to Goodspeed where his previous credits include Fiddler on the Roof, A Wonderful Life, The Most Happy Fella and Carousel.  Mr. Esse choreographed Sondheim and Marsalis’ A Bed and A Chair: A New York Love Affair at New York City Center and Jazz at Lincoln Center. He is a three-time Helen Hayes nominee and 2010 winner for Best Choreography for Arena Stage’s Oklahoma!. Mr. Esse has served as Associate Choreographer for Broadway’s Finian’s Rainbow, A Tale of Two Cities and multiple New York City Center Encores! productions.
Scenic design will be by Michael Schweikardt who has designed several shows at Goodspeed including Fiddler on the Roof, The Most Happy Fella, Carousel, Show Boat, and Big River. He received a Broadway World Award for Best Scenic Design for Showboat as well as a Connecticut Critic’s Circle Award for Best Scenic Design for Big River. Mr. Schweikardt has designed the world premieres of Nobody Loves You and Duncan Sheik’s Whisper House at The Old Globe as well as the Off-Broadway production of Bloodsong of Love at Ars Nova and  several productions at TheaterWorks in Hartford. Other Off-Broadway credits include ReWrite (Urban Stages), The Black Suits (The Public Theater), Things to Ruin (Second Stage, The Zipper Factory), The Plant That Ate Dirty Socks (TheatreWorks USA) and Tryst (Irish Rep). Additionally, he has designed for theatres such as The MUNY, Papermill Playhouse, Long Wharf Theatre, Cleveland Playhouse and California Musical Theatre.
Costume design will be by Tony Award winner Linda Cho who returns to Goodspeed where she previously created the costumes for  A Little Night Music. Her designs can currently be seen in the Broadway production of Anastasia for which she was nominated for a Tony Award, Outer Critics’ Circle Award and Drama Desk Award. Ms. Cho won the Antoinette Perry and Henry Hewes Design Award for her work on A Gentleman’s Guide to Love and Murder. Ms. Cho received the 2017 Ruth Morley Design Award from the League of Professional Theatre Women. Other credits include designing for places such the Theater for a New Audience, Second Stage, Manhattan Theater Club, NY Public Theater, Asia Society, Classic Stage Company, Hartford Stage, Long Wharf Theater, Westport Country Playhouse, Royal Shakespeare Company and Hong Kong Performing Arts Center.
Lighting design will be by John Lasiter who has designed Goodspeed’s productions of Fiddler on the Roof, The Most Happy Fella, Show Boat, Carousel among others. Other Connecticut credits include, designs for Long Wharf Theater, Hartford Stage and TheaterWorks. On Broadway, Mr. Lasiter designed High, and Off-Broadway, he designed Make Me a Song: The Music of William Finn.
Sound design will be by Jay Hilton who has designed countless productions at both The Terris Theatre and The Goodspeed. His work has also been heard on Broadway, National Tours and regional theatres from coast to coast. He also serves as Goodspeed’s audio supervisor.
Wig and Hair design will be by Mark Adam Rampmeyer whose work can been seen in Goodspeeds current production of Oklahoma!. Other Goodspeed credits include Thoroughly Modern MillieAnything Goes; Bye Bye Birdie and Chasing Rainbows, as well as  La Cage aux Folles, Good News!, 42nd Street and Big River to name a few. On Broadway, he designed West Side Story, Lysistrata Jones and The Farnsworth Invention.
The Music Director will be Michael O’Flaherty who is in his 26thseason as Goodspeed’s Resident Music Director. His Broadway credits include By Jeeves and Gentlemen Prefer Blondes. O’Flaherty has written music and lyrics for A Connecticut Christmas Carol which will be produced at The Terris Theatre this fall. Orchestrations will be provided by Dan DeLange who has created the orchestrations for over 40 Goodspeed productions. His orchestrations for Show Boat have been nominated for the Best Revival Musical Oliver Award in London. Vocal Arrangements will be by David Loud who returns to Goodspeed having previously provided arrangements for Red, Hot and Blue and served as Music Director for Band Geeks!  at The Terris Theatre.  Mr. Loud’s Broadway credits include vocal and dance arrangements for  Sondheim on Sondheim, vocal arrangements for Curtains,  The Boys from Syracuse, and Steel Pier. In addition, he has been credited as Conductor, Music Director and Music Supervisor for numerous Broadway productions. David Loud has created musical arrangements for Audra McDonald, Barbara CookBetty Buckley, Andrea McArdle, Norm Lewis, Bernadette Peters, Paolo Szot among others.
Casting for Rags is by Paul Hardt of Stewart/Whitley Casting.
Rags will run October 6 – December 10, 2017 [Official Press Opening October 25] Curtain times are Wednesday at 2:00p.m. and 7:30 p.m., Thursday at 7:30 p.m. (with select performances at 2:00 p.m.), Friday at 8:00 p.m., Saturday at 3:00 p.m. and 8:00 p.m. and Sunday at 2:00 p.m. (with select performances at 6:30 p.m.).
Tickets are available through the Box Office (860.873.8668), open seven days a week, or online at goodspeed.org. For show highlights, exclusive photos, special events and more, visit us at goodspeed.org and follow us on Facebook, Twitter @goodspeedmusicl, Instagram and YouTube.
Under the leadership of Executive Director Michael Gennaro, Goodspeed Musicals is dedicated to the preservation, development and advancement of musical theatre. Goodspeed produces three musicals each season at The Goodspeed in East Haddam, Conn., and additional productions at The Terris Theatre in Chester, Conn., which was opened in 1984 for the development of new musicals. The first regional theatre to receive two Tony Awards (for outstanding achievement), Goodspeed also maintains The Scherer Library of Musical Theatre and The Max Showalter Center for Education in Musical Theatre. Goodspeed gratefully acknowledges the support of United Airlines, the official airline of Goodspeed Musicals; official audio sponsor Sennheiser; and official auto sponsor Hoffman Audi. Goodspeed is also grateful for the support of the Department of Economic and Community Development, Office of the Arts.

Tuesday, February 28, 2017

Ivoryton Playhouse 2017 Season - Ivoryton, Connecticut


Have a look at the upcoming 2017 season for the Ivoryton Playhouse in Ivoryton, Connecticut.  For more info, see their website here.


Wednesday, January 4, 2017

Reading from Whitewash in the Berkshires - Springfield, Massachusetts

I'll be reading from one of my Double V Mysteries this coming Sunday at the Springfield City Library, Springfield, Massachusetts as part of the Literary Spotlight: Creative Writings by Local Authors event. From 1 to 3 p.m., come down to the main branch at 220 State Street. Here's more:


Literary Spotlight: Creative Readings by Local Writers
1:00 PM - 3:00 PM

...
Enjoy the readings of local writers in this showcase of active area writers. Featured writers include poets, novelists, and children's book writers, all of whom will offer a sample from their creative writing.

Participating readers are Jane Schneeloch, Springfield poet; Don Fisher, Chicopee poet; Price Van Ray, South Hadley poet and novelist; Jacqueline Lynch, Chicopee novelist; Peter Cianciolo, Springfield author of A Father's Love; Maria Kamoulakou-Marangoudakis, Springfield author of Sky Cloud City; Patrick Shanahan, Holyoke author of The Bird Song, and Betsy Sheehan, East Longmeadow author of Grace O'Malley, the Queen of the Sea. Refreshments compliments of the Friends of the Library, with a free attendance raffle for all who attend.

CONTACT:
Matthew Vasquez Jaquith
413.263.6828 ext 221
mjaquith@springfieldlibrary.org
LOCATION: Central Library Community Room

Tuesday, November 1, 2016

Ivoryton Playhouse - Play based on the life of Rosemary Clooney - Ivoryton, Connecticut

NOW PLAYING - a new play at the Ivoryton Playhouse in Ivoryton, Connecticut, based on the life of Rosemary Clooney, called TENDERLY, THE ROSEMARY CLOONEY MUSICAL:

From the press release:

OCTOBER 26TH - NOVEMBER 13TH
By Janet Yates Vogt and Mark Friedman
                      
America's favorite girl singer comes to life on stage in this exhilarating and inspiring musical biography. TENDERLY, THE ROSEMARY CLOONEY MUSICAL is not a typical "juke-box musical." It offers a fresh, personal, and poignant picture of the woman whose unparalleled talent and unbridled personality made her a legend. With signature songs woven in and out, we learn the story of her successes on film, radio, and TV, as well as her struggles in her personal life.

For tickets or more info, have a look at the Ivoryton Playhouse website here.


Tuesday, October 25, 2016

Arsenic and Old Lace - A Connecticut Murder Mystery Plays Out - Windsor, Connecticut



Arsenic and Old Lace (1944) is based on a true story.  In this season of Halloween, we note that the daffy and macabre comedy with malevolent roots was first a play, which still haunts professional and community theatre stages across the country.  It is an American theatre classic.  The true story is much more macabre, and only slightly less daffy.

It happened in the small town of Windsor, Connecticut, just north of Hartford.  One hundred years ago, a woman ran a private nursing home in her house, and was investigated for the murder of five of her residents, and was eventually convicted.  It’s possible she may have murdered more than forty people in all—with arsenic.

Born in the town of Litchfield, Connecticut, in 1873, Amy Duggan went to the New Britain Normal School in 1890, and taught at the Milton School in Milton, Connecticut.  She married James Archer in 1897.  In 1901, the couple was hired to care for an elderly widower in his home in Newington, Connecticut, and when he died in 1904, his heirs turned the home into a boarding house for elderly, with Amy and James Archer in charge.  They called the business “Sister Amy’s Nursing Home for the Elderly.”

In 1907, the house was sold, so “Sister” Amy and husband James moved to Windsor, bought another house and opened the Archer Home for Elderly People and Chronic Invalids.  Residents paid for room and board and also medical attention if they required that, frequently signing over insurance policies to Amy for payment, and so she could manage their final expenses when they died.

More than twenty residents died in the first four years of operation, most from gastrointestinal complaints that would kill them within days—or hours.  Poor Mr. Archer also succumbed suddenly, his death listed as kidney disease.  “Sister” Amy would discreetly have the bodies buried immediately so as not to upset the other residents. 

Dr. Howard King, the medical examiner for Windsor, was also the house physician for the rest home.  He apparently wrote out the death certificates and minded his own business.  Business was good. 

“Sister” Amy had a pattern of buying arsenic, nearly a pound at a time—to kill rats, she said— which was usually followed by the death of another resident.  When neighbors, and then reporters, started raising questions about all this, Amy declared she was the victim of a conspiracy.  Her righteous indignation was enough to quiet things down a bit, because she would not be charged with murder until five years later—after many more people died.

In the summer of 1913, Amy married a new resident to the home—Michael Gilligan, a 57-year-old man who was divorced and had a hefty savings account.  Early in 1914, her new husband drafted new will leaving his estate to her—and just in time, too, for he was dead two days later.   He died of “indigestion.”

The late Mr. Gilligan had adult children from his previous marriage.  They joined the growing ranks of neighbors, reporters, and eventually the state’s attorney, who were becoming suspicious of Amy’s home cooking.  More residents were killed, however, by May 1916 when the crime spree was finally ended by official investigation.

It had started quietly when a female undercover private eye working for the Connecticut State Police, moved into the rest home at the end of 1914.  She managed not to ingest any arsenic, and the evidence she gathered was enough to arrest Amy in May 1916 and bring her to trial.  Now, that lady private eye is a character that would make a great movie. 


Amy went on trial in June 1917 for the five murders that could be proven, when the bodies were exhumed and discovered to be full of arsenic.  Among them was Franklin R. Andrews, who was regarded as apparently healthy, but who fell ill on the morning of May 29, 1914, and was dead by evening.  His death was the only proven count of murder that convicted Amy Archer-Gilligan.  Her only child, her daughter Mary, testified that her mother was addicted to morphine.  The jury found Amy guilty of murder in the first degree.  She was sentenced to be hanged.

But, wait a minute.  The governor granted a stay of execution until her case could be heard by the state Supreme Court of Errors, and then a second trial was scheduled, but her defense team plea bargained, and Amy was found guilty of murder in the second degree by reason of insanity—the sentence for which was life imprisonment. 

First sent to the old state prison in Wethersfield (no longer in existence), in 1924 she was transferred to the Connecticut Valley Hospital in Middletown, a state institution for the criminally insane.  She was assigned to work in the cafeteria.  One hopes she wasn’t allowed to season the food.  Amy Archer-Gillian died of natural causes at 89 years old in April 1962. 

In 2014, the Connecticut Supreme Court ruled that nearly 200 pages of documents related to the medical and psychiatric treatment of Amy Archer-Gilligan were to remain sealed, considering them not to be public records.  This hampered the plans of at least one writer to examine this material for a new book on Mrs. Archer-Gilligan and her infamous crimes.

Another writer, years ago, was equally fascinated.  New York playwright Joseph Kesselring, following the case as had a shocked America, rewrote the story into a comedy.  Arsenic and Old Lace was a smash on Broadway from 1939 to 1944, and then made into the popular 1944 movie with Cary Grant and Josephine Hull, who played Abby Brewster, recreating the role she originated on Broadway.

One of the features of the play—beloved by community theatre groups for this alone—is that many of the little old ladies’ victims emerge for a “bow” at the end of the show—these non-speaking roles are usually taken by members of the community, usually ten or so people.  Many a town mayor or favorite teacher has emerged from the “cellar” as a murder victim to take a bow.

Considering how many victims were probably actually murdered by Amy Archer-Gilligan, this bit of black humor is gruesome, indeed.

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Note: The above ad for The Valley Players production of Arsenic and Old Lace is from my forthcoming book to be published later this year on summer theatre on Mt. Tom, Holyoke, Massachusetts.  More on that to come.

Tuesday, August 23, 2016

Race Rock Light



Photo by J.T. Lynch

Race Rock Light is on dangerous reef southwest of Fishers Island, south of the Connecticut coast. New England has its share of dangerous waters, and our many lighthouses dotting the coast give testament to this area being one of the so-called “graveyards” of the Atlantic for the number of shipwrecks over the years.  In just one year alone, 1837, eight ships were lost on Race Rock reef, where the tide forces the current with great power.

Photo by J.T. Lynch


Some believe Race Rock Light to be haunted, which perhaps presents another kind of danger, but that’s another story.

Photo by J.T. Lynch

It was built in the 1870s, and just the rock ledge which forms its foundation took seven years to construct. The Fresnel lens was automated in 1978.  It is currently maintained by the New London Maritime Society.

Photo by J.T. Lynch

Have a look at this website for more information and some fascinating lore about the Race Rock Light.
Photo by J.T. Lynch

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