Affiliate notice

Affiliate links may be included in posts, as on sidebar ads, for which compensation may be received.

Tuesday, October 25, 2016

Arsenic and Old Lace - A Connecticut Murder Mystery Plays Out - Windsor, Connecticut

Arsenic and Old Lace (1944) is based on a true story.  In this season of Halloween, we note that the daffy and macabre comedy with malevolent roots was first a play, which still haunts professional and community theatre stages across the country.  It is an American theatre classic.  The true story is much more macabre, and only slightly less daffy.

It happened in the small town of Windsor, Connecticut, just north of Hartford.  One hundred years ago, a woman ran a private nursing home in her house, and was investigated for the murder of five of her residents, and was eventually convicted.  It’s possible she may have murdered more than forty people in all—with arsenic.

Born in the town of Litchfield, Connecticut, in 1873, Amy Duggan went to the New Britain Normal School in 1890, and taught at the Milton School in Milton, Connecticut.  She married James Archer in 1897.  In 1901, the couple was hired to care for an elderly widower in his home in Newington, Connecticut, and when he died in 1904, his heirs turned the home into a boarding house for elderly, with Amy and James Archer in charge.  They called the business “Sister Amy’s Nursing Home for the Elderly.”

In 1907, the house was sold, so “Sister” Amy and husband James moved to Windsor, bought another house and opened the Archer Home for Elderly People and Chronic Invalids.  Residents paid for room and board and also medical attention if they required that, frequently signing over insurance policies to Amy for payment, and so she could manage their final expenses when they died.

More than twenty residents died in the first four years of operation, most from gastrointestinal complaints that would kill them within days—or hours.  Poor Mr. Archer also succumbed suddenly, his death listed as kidney disease.  “Sister” Amy would discreetly have the bodies buried immediately so as not to upset the other residents. 

Dr. Howard King, the medical examiner for Windsor, was also the house physician for the rest home.  He apparently wrote out the death certificates and minded his own business.  Business was good. 

“Sister” Amy had a pattern of buying arsenic, nearly a pound at a time—to kill rats, she said— which was usually followed by the death of another resident.  When neighbors, and then reporters, started raising questions about all this, Amy declared she was the victim of a conspiracy.  Her righteous indignation was enough to quiet things down a bit, because she would not be charged with murder until five years later—after many more people died.

In the summer of 1913, Amy married a new resident to the home—Michael Gilligan, a 57-year-old man who was divorced and had a hefty savings account.  Early in 1914, her new husband drafted new will leaving his estate to her—and just in time, too, for he was dead two days later.   He died of “indigestion.”

The late Mr. Gilligan had adult children from his previous marriage.  They joined the growing ranks of neighbors, reporters, and eventually the state’s attorney, who were becoming suspicious of Amy’s home cooking.  More residents were killed, however, by May 1916 when the crime spree was finally ended by official investigation.

It had started quietly when a female undercover private eye working for the Connecticut State Police, moved into the rest home at the end of 1914.  She managed not to ingest any arsenic, and the evidence she gathered was enough to arrest Amy in May 1916 and bring her to trial.  Now, that lady private eye is a character that would make a great movie. 

Amy went on trial in June 1917 for the five murders that could be proven, when the bodies were exhumed and discovered to be full of arsenic.  Among them was Franklin R. Andrews, who was regarded as apparently healthy, but who fell ill on the morning of May 29, 1914, and was dead by evening.  His death was the only proven count of murder that convicted Amy Archer-Gilligan.  Her only child, her daughter Mary, testified that her mother was addicted to morphine.  The jury found Amy guilty of murder in the first degree.  She was sentenced to be hanged.

But, wait a minute.  The governor granted a stay of execution until her case could be heard by the state Supreme Court of Errors, and then a second trial was scheduled, but her defense team plea bargained, and Amy was found guilty of murder in the second degree by reason of insanity—the sentence for which was life imprisonment. 

First sent to the old state prison in Wethersfield (no longer in existence), in 1924 she was transferred to the Connecticut Valley Hospital in Middletown, a state institution for the criminally insane.  She was assigned to work in the cafeteria.  One hopes she wasn’t allowed to season the food.  Amy Archer-Gillian died of natural causes at 89 years old in April 1962. 

In 2014, the Connecticut Supreme Court ruled that nearly 200 pages of documents related to the medical and psychiatric treatment of Amy Archer-Gilligan were to remain sealed, considering them not to be public records.  This hampered the plans of at least one writer to examine this material for a new book on Mrs. Archer-Gilligan and her infamous crimes.

Another writer, years ago, was equally fascinated.  New York playwright Joseph Kesselring, following the case as had a shocked America, rewrote the story into a comedy.  Arsenic and Old Lace was a smash on Broadway from 1939 to 1944, and then made into the popular 1944 movie with Cary Grant and Josephine Hull, who played Abby Brewster, recreating the role she originated on Broadway.

One of the features of the play—beloved by community theatre groups for this alone—is that many of the little old ladies’ victims emerge for a “bow” at the end of the show—these non-speaking roles are usually taken by members of the community, usually ten or so people.  Many a town mayor or favorite teacher has emerged from the “cellar” as a murder victim to take a bow.

Considering how many victims were probably actually murdered by Amy Archer-Gilligan, this bit of black humor is gruesome, indeed.

Note: The above ad for The Valley Players production of Arsenic and Old Lace is from my forthcoming book to be published later this year on summer theatre on Mt. Tom, Holyoke, Massachusetts.  More on that to come.

Wednesday, October 19, 2016

Blue Umbrella Books - Westfield, Massachusetts

A new independently owned bookstore has opened up in Westfield, Massachusetts.  You can find Blue Umbrella Books at 2 Main Street on the common, and you can find my books there as well.

Here's their website, and have a look here at their Facebook page.  The store is open Tuesday through Sunday, and is a great spot for author events.

I'll be featured on Saturday, December 3rd, for a meet and greet and signing and chatting from 2 p.m. until 6 p.m.  More about that later.

Until then you can stop in and purchase my books, and find a great variety of other books in every genre.  Few bookstores are as welcome to independent authors and artisans--Blue Umbrella Books is a rare gem.

Tuesday, October 11, 2016

Review of States of Mind: New England

My thanks to John Greco for his kind review of my book States of Mind: New England on his blog. Have a look here.

Tuesday, October 4, 2016

Berkshire Theatre Group - New Play - Stockbridge, Massachusetts

The Berkshire Theatre Group has launched a new play called The Bakelite Masterpiece that will be at the Unicorn Theatre in Stockbridge, Massachusetts for the next three weeks.  The subject matter (which, by coincidence, I used as a plot device in my mystery novel Whitewash in the Berkshires, published earlier this year) involves a fascinating art forgery in Europe at the end of World War II.  Here is the synopsis from the press release:

The Unicorn TheatreThursday, September 29-Sunday, October 23 

After a critically acclaimed World Premiere at the Tarragon Theatre in Toronto, Canada, Berkshire Theatre Group and WAM Theatre are joining forces to present the American Premiere of The Bakelite Masterpiece

It's the end of World War II, and Holland is in chaos. The artist Van Meegeren is arrested. His crime? Selling a long-lost painting by the Dutch Master Johannes Vermeer to the Nazi Leader, Hermann Goering. His defense? It was a perfect forgery painted by him. His proof? In front of his prosecutor Geert Piller, art historian and resistance fighter, he must paint another flawless Vermeer to save his life. The Bakelite Masterpiece is a play that debates beauty, faith, memory and the reconstruction of a country.

Now Available