This is an excerpt of a speech I recently made to the Chicopee Historical Society about sculptor and bronze foundryman Melzar Mosman. I’m currently working on a book about this 19th century craftsman, and I’d love to hear from anyone who has more information. Please either leave a comment, or send me an email at: JacquelineTLynch@gmail.com.
One of the most famous founders of bronze statuary in the United States, Melzar Mosman, unique among foundrymen, was a sculptor as well.
We have the statute of General Ulysses S. Grant in Brooklyn, sculpted by William Ordway Partridge, a noted artist in his day, and cast by Melzar Mosman. This was done in 1895 in his shop called Chicopee Bronze Works in Chicopee, Massachusetts.
Here is the Civil War monument Middletown, Connecticut, done in 1874, sculpted by Melzar and founded by him while Mosman was still working at the Ames Manufacturing Company.
The Ames Company, which we discussed in this previous post, is noted of course for its enormous contribution to the Mexican War and to the Civil War producing swords and armaments, light and heavy artillery. But in 1853, Ames is credited with being the first foundry in the United States to cast bronze statuary. Ames had been producing bronze cannon since the 1830s, and in the politically turbulent years of the mid-19th century, cannon took precedence over statues.
Melzar was the grandson of Silas Mosman, also called Deacon Silas, who came from Rhode Island in 1829 to find work for himself and his sons in the burgeoning factory town of Chicopee. His son, Silas, Jr. would come to superintendent the Ames foundry and became noted as a skilled caster in bronze of statuary. The highlight of his career was being asked to cast in bronze the ornamental doors to the Senate wing of the Capitol Building in Washington, D.C., desgined by Thomas Crawford.
Melzar was born in 1843, and when he graduated from Chicopee High School, he went to work at the Ames Manufacturing Company under the supervision of his father in the foundry. In 1862 he quit to join the Union Army.
Melzar was a private attached to Company D and served at New Bern, North Carolina. His unit clashed with the enemy in skirmishes in the Goldsboro, Kinston areas. His unit was sent to Baltimore, and Harper’s Ferry, and helped in pursuit of General Robert E. Lee when the Confederates retreated from Gettysburg. Later that month, July of 1863, Mosman’s unit was sent home and mustered out. Melzar went back to the foundry at the Ames Company and made more cannon.
After the war in 1867, he went to Europe, as most young artists and craftsmen did, to study. He went to Italy and France, worked in foundries and learned the art of casting bronze statuary. He also learned to speak Italian and French.
He returned to the Ames foundry to work alongside his father on statuary. In 1874, they produced “The Minuteman” statue of Concord, Massachusetts. The sculptor was Daniel Chester French. Melzar gradually took over the Ames foundry from his father, and Silas, Jr. died in 1883, having retired in 1880. At the time of his death, Melzar was his only surviving child, and Melzar was destined to completely crawl out from underneath his father’s famous shadow, not only as the most sought-after foundryman in the United States, but as a sculptor in his own right.